Відео

Wonderful clip, thanks Mitch and Loriann!

12:51 was my aha moment

A very very good book! 👏👏👏👏👌👌

I’m 64 been trying to paint all my life, took lessons, took classes in college and never could get it. I’m on the first lesson of Mr. Albala’s Book and have learned more in one painting than all my life. The way he articulates reductionism and shape and then shows us how to put it to practical use is unique, to say the least. Thank you

Wonderful painting and great information. One of your book just arrived yesterday, "The Landscape Painter's Workbook". I also enjoyed and found interesting the video in mastrius, about color, composition, and really like the dark landscape area in the back. Did you glazed?...looks so nice, foggy, and make the view of Bagnoregio more intrigue.

This video is so helpful, and I show it to my students often. I also use your book! Thank you for explaining concepts so clearly. You are an excellent instructor.

Thanks for the demo. Do you know if tape will lift up gesso if you tape down gessoed paper?

Great video, very helpful!

Another great video, Mitch! I was especially interested in the less saturated shadow in this painting. It really did bring a much nicer balance vs a darker shadow on the right side of the hilltown. Thanks for the clear explanations. I've added "tactile perspective" to my list of ways to create the illusion of space and depth. I wouldn't have thought to use it in the middle ground in the same way you did in this painting. Lots of great info you've shared. I hope to see you on a course in Italy again one of these days.

Bagnoregio. Bagno pronounced. BAHN-yo. Not bahg no Regio pronounced REH- Jo Not Reggie-o

I have loved and still love your vibrational abstraktes landscape paintings very much and I am also a Great admirer of your very clear explanations and showing your process and principales 🎶🧡💛🧡💛🩵💜🎵

This is a great video! Your explanations are thorough and informative. Note: I have both of your books and find them very helpful! One additional feature in the final painting is that you let the tower break through the roughly horizontal line of the distant hill, emphasizing the majesty of your subject.

Nice!!!

Interesting thought about where you think texture goes! I agree... and I find that with my watercolors, I honestly have not thought about that before. Now to see what I can do with this! Oh, and Pinnacle Peak... my mother worked up at Paradise one summer back in the early 1940s and went on her first horseback ride. And where did they go? Pinnacle Peak! I heard all about how terrifying that was for her many times! I love your instruction! Thank you!

Wow thank you for showing how to gesso watercolour paper. I use 300 gsm watercolour paper i buy from my local budget craft store action in the netherlands 😊👋🏾👍🏾 i make my own canvas boards were i glue my 300 gsm watercolour paper on. I paint whit gouache. 👍🏾👋🏾😁 thank you again and have a njce evening or day

This is the best explanation of the usefulness of Notan studies I have heard. Thank you !

Thank you, Mitchell for sharing your knowledge and your way of thinking!

Cleared up the confusion for me

Thank you!

Thanks you how you create... Could I ask one vidéo about digital way of your work. Many thanks

Interesting all these variations in studio with only one in plein air.... BUT WHY ? THANKS

Golden triad for Me

1:52 Î regret that I couldn't find a questioning summary in french, because you insist on this skill to progress. All chapter are in a affirmative way in french .

I bought this book in France on July 23 because there is no other book wich such content on Landscape paintings. I read with interest. Thank you Mr Albala

I bought your book in France , and I read the Notan chapter first, because teachers told me, to do Notan's vignette first.

Yes .Tku. Demo with Monet was a must

Really nice job Mitchell

So excited to find your channel- I bought your Landscape painter’s workbook earlier this year, and have been blown away by the work that’s been featured within it- so great to have as a reference! I returned to painting during lockdown, after abandoning my 2d practices to pursue a career as a jeweler in ‘98 (after a terrifying health scare, I felt the need to have a conventional skill … and quit pursuing a somewhat lost line of painting that I’d cultivated for the previous decade.) I’ve found so much encouragement from videos, so I’m always happy to find other fonts of knowledge to connect with/learn from. Thank you for your generosity in your teaching- I hope to take a class from you someday (currently enjoying Ian Roberts classes after finding his channel on UA-cam…learning so much that my ‘80’s art school education missed) I’m a lifelong student, so I will definitely keep my eyes open for future classes/workshops- always more to learn

Very good explained !

Why gesso a paper?

This was life changing thank you. I always knew notan was important, but it always seemed kinda unhelpful when I used it. now I feel like I can use it for composition and learn from it. Thank you so much.

Excellent. Thank you.

This book is one of the best books I have read about painting. And it helped me a lot. Many thanks from Iran❤

What a treat ! i appreciate his elevating of such close values, & his stunning portrayal of them. Values that are very close together are a big challenge for myself, but am very capitavated by them especially during winter inversion layer days. Love Mitch's work & his incredible books are right here on my work table.

This was the most useful lesson I've ever had on Notan and related compositional factors. The way you explained it really made it come together in my mind, and finally it makes sense! Just got your new book, looking forward to studying it and using it. Thanks.

Can you draw with graphite pencils on a gessoed paper?

How do you know when a composition is working or not? How to improve it? Do you have any resorces to understand composition? I've only learned all the rules, but I don't quite understand why they work and how to "break" them

Extremely helpful video!! I thought I understood notan but you made it so much more understandable.. Thank you so much!

I'm not much into painting but I'm looking to print my photography work on fine art prints. I didn't know paper had to be primed too! Only knew that about canvases.

Perfect timing - I went to the library yesterday & checked out Mitchell's book Landscape Painting. Excellent teacher - beautiful paintings!

Hey Mr.Albala, I was wondering, while I am not a beginner, would you recommend I start with this book over your other book 'Landscape Painting'? Thanks!

Very interesting and useful information. Thanks!

Great tutorial, simple and straightforward. Thank you!

Very helpful, and interesting. thanks

This was very helpful, thank you

Very helpful. The "white" path was pretty obviously not going to be black in the notan. How do you decide on middle greys?

Very easy and informative tahnk you ✨👏👏

Really great book

I love notan art

I bought this book during surgery recovery and devoured it in just a few days...now I'm working my way through it. Thank you for such a thorough AND concise and pointed series of introduction of key concepts. The book presents them in a way to get the artist to learn how to apply the CONCEPTS, thus being able to apply them in personalized choices in the workbook exercises. It is a great teaching and learning approach. Thank you! (I also bought several other books at the same time and this is the only one that pulled me in and kept me eagerly reading and underlining and planning practice paintings).